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Slow Down Molasses and Dilly Dally at Amigos
October 24, 2015 @ 10:00 pm
19+ w/ Valid ID
Tickets available at the door.
Saskatoon’s Slow Down Molasses is a five-piece indie-rock collective described as “the Broken Social Scene of the prairies” by Toronto’s Exclaim! Magazine. Taking cues from the wide-open spaces of their home, they craft expansive, texture-heavy pop songs that break into storm squalls of drone, delay and feedback. For their new record Burnt Black Cars (out 11/12 May on Culvert Music in Canada, Kütu Records in France and Caroline International everywhere else), they have turned to producer and prairies ex-pat Jace Lasek of the Besnard Lakes, developing the dreamy vocal arrangements of their previous, self-released album Walk Into the Sea (number 12 on Uncut editor Allan Jones’ personal top 20 of the year, between Neil Young’s Americana and Sharon Van Etten’s Tramp) and sharpening the songwriting into concise blasts of synth-driven melodies and full-on rock choruses.
For twelve years Katie Monks and Liz Ball have been connected through music. A sister-like bond that requires no words. The two Toronto-based musicians met in high school over a common love of legendary bands like The Pixies, scrawling lyrics and poetry to mimic their heroes. Both self-taught guitarists, Ball and Monks also idolized the lackadaisical sorrow of Kurt Cobain, Christopher Owens and Pete Doherty, slowly manifesting that admiration into their own band they called Dilly Dally, and eventually their debut record, Sore.
Heavy and melodic, and with nods to Sonic Youth, Yeah Yeah Yeahs, The Distillers, and even The Pogues, Monks calls it “All that and a bag of weed.” After years of rotating members, they have settled with Benjamin Reinhartz and Jimmy Tony. The combination resulted in a debut that sweeps the listener along into Monks’ psyche, as she screams in a coarse holler that chameleons, sliding in cadence and scale. Monks paints pictures of snakes crawling out of her head, while Ball adds simple, sparkling guitar leads that cut through the wall of fuzz and pedals. Reinhartz’s drumming is instinctual, driving forward, while Jimmy Tony carries the melody along with his simple and effective bass lines.
Dilly Dally plays like one person, a unit that works to infect the audience. After a few choice singles and a 7”, the band’s debut is strong work, due in part to production from Josh Korody (Fucked Up, Greys) and Leon Taheny (Owen Pallett, Austra, Dusted).